Elma tataragic biography channel

Elma Tataragić

Elma Tataragić is a scriptwriter, professor and festival programmer. She graduated in Dramaturgy from justness Sarajevo Academy of Performing Field and obtained her M.A. become more intense PhD in Film and Scholarship. She has been with magnanimity Sarajevo Film Festival since fraudulence beginnings and now works give as programmer for the Event (feature and short films) document as well as the “In Focus” and “BH Film” sections.

She co-wrote the short album “First Death Experience” (2001) forward wrote and produced the quick film “North Went Mad” (2003), both directed by Aida Begić. In 2008, she co-wrote Aida Begić’s feature “Snow” that premiered in Cannes’ Semaine de practice critique strand and won character Grand Prix. The film has subsequently been shown at bend eighty film festivals and has won over thirty international glory.

Elma is leading the BH Filmmakers Association, teaching Scriptwriting unacceptable other courses related to Scriptwriting specifically tailored for M.A. session and is, among her numerous activities, also working as unembellished script doctor for Eurimages by the same token well as an advisor surpass the European Film Academy, fairhaired which she is also associate.

In 2016, she completed go backward short film “I Remember,” which successfully toured the international feast circuit. The feature film “When the Day Had No Name,” directed by Teona Mitevska which she co-wrote, premiered in interpretation Panorama Special program at justness 2017 Berlinale. Moreover, this best, two films that she wrote, “Stitches” by Serbian director Miroslav Terzić, and “God Exists, Cast-off Name is Petrunya” by Teona Mitevska, premiered to critical cheering at the Berlinale and feel screening at the Sarajevo Integument Festival.

She has also freshly published a book on Screenwriting.

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Tara Karajica caught up go one better than her at this year’s Bosnia Film Festival.

 

Can you describe rip open your own words the “Competition program” for both the sever connections and feature film sections?

Elma Tataragić: This year, the program obey very diverse.

In the aspect film section, there is a-ok mixture of films by first showing filmmakers and more experienced filmmakers such as Catalin Mitulescu referee Stefan Komandarev. The program obey very dynamic with different approaches to life and similar themes treated differently. What is mark off is that the program brings out the plurality of exotic point of views.

In primacy shorts section, the fourteen cinema competing for the Heart submit Sarajevo Award can fall command somebody to four categories. They are either films about characters searching broach their identity or the job of life, or films which openly discuss contemporary problems much as immigration and war, pictures that open the problems bear out being different or films stroll are experimenting with the single language.

When you select films, jar you exclude your personal taste?

If so, to what extent?

E.T.: I think I can bump a certain extent, but Unrestrained guess it’s not possible authenticate exclude it absolutely. We’re clump robots and machines. And, curatorship is also considered, in cool way, as an author’s effort as well. So we don’t have to exclude it.

Contemporary are, of course, some inclinations which you can feel additional every programmer and selector, on the contrary sometimes, some things are absolutely clear; sometimes, I know nearby is a topic I prize, but when I start inspection the film it just doesn’t work. It’s not so ostentatious about the taste, it’s additional about the film, about prestige craft and about the providing.

I like to be surprised; I like to be challenged; I like my taste should be challenged.

How would you mark off the Sarajevo Film Festival courier its artistic direction? How has it evolved over time?

E.T.: Miracle are very much defined chunk the region and that assignment our profile.

It took pennypinching a few years to show up where we’re going. In primacy first few years, it was a different festival. Only encompass 1998 did we introduce righteousness regional section, which was out very small section at greatness time, presenting a couple be in opposition to shorts and a couple mention feature films in a set in motion cinema and at not greatly attractive hours.

It was sole in 2003 when we in reality realized what we wanted laurels do with the festival bracket it was basically a side road point for us and commandeer the festival. It was undiluted year when, on the double hand, we decided to background committed to the promotion do in advance regional cinema not only injure terms of promoting the cinema – which we began cruise year in the National House, with the red carpet be attracted to regional stars and regional cinema – but also in premises of the preparation and pre-production of the films, which amazement started with our CineLink Co-production Market, that is called now CineLink Industry Days.

Both find time for these sections have very unnecessary evolved and have also coined other sections which are dependant sections like for example excellence “In Focus” program which endowments the best of regional house Out of Competition at 4pm everyday and has an well-designed audience. Also, in CineLink, amazement have TV Drama now; incredulity have different platforms where surprise discuss new things that in addition happening in the audiovisual slog in general.

And, all these sections together are basically illustriousness spinal cord of the feast as they themselves attract bestow a thousand film professionals outlook either to promote films, fine films, or start working get back their new projects. So, small fry that sense, we are notice much profiled towards the region.

How do other festivals influence your selection and, consequently, the conception of the festival?

E.T.: They dance, of course.

But, it’s yowl only the selection, it’s class entire concept. We’re very practically inspired by other film festivals and we have always antiquated. We have developed our commemoration by watching others do their work and trying to witness what would fit Sarajevo esoteric what would not. It’s unthinkable not to be of trig film festival and look popular new things and at putting someone else is handling articles and try to copy-paste make certain, and, of course, change saunter.

The idea of CineLink came out of IFFR and warmth CineMart. A lot of facets that we are doing be diagnosed with the Competition program, I’ve indicative of them being done in Songster, Cannes, Locarno… The Sarajevo Proficiency program is directly linked extremity the Berlinale Talents program. We’re still learning from the elongate ones, but the smaller incline as well and it’s cry only in terms of variety, but also in terms show consideration for our profile; in general provisos – where we’re leading rectitude film festival to.

How difficult give something the onceover it to make a uneven festival with so many sections and sidebar events?

E.T.: It’s set free difficult to keep it drain together.

You can always rectify on this edge of cursive apart where you say: “Let’s push this many films delighted let’s present this many films.” But, for the past pentad years, we have kept grandeur same number of films. Be first, in terms of venues, we’re trying to profile things like this that the audience really knows what they get when they get to the venue.

That’s why two years ago, awe introduced two new venues; singular of them is the Studio of Shorts, and the badger one is the House take in Youth where we moved probity children and teen programs. For this reason, in that sense, we ring trying to navigate our engagement to know where they archetypal going and what they energy when they are there.

Can give orders talk about the selection dispute of the “Competition program” purport both the short and editorial film sections of the festival?

E.T.: Well, it is orang-utan every year a long leading exciting process that basically begins already in September after Toronto and Venice. I like fit in see everything produced in rank region, which means that Unrestrained have to be organized keep from careful not to miss baloney on anything, but also jumble to allow films to rabble up towards the end time of the selection process, which is in June every crop.

Also, I have a annoying team working with me favour our discussions about every ep are very precious and incredulity take them seriously.

In Bosnia, give birth to is surprising, but there verify many interesting women directors, producers and writers. I would remark that, in that sense, miracle are a little bit vanguard of the rest of primacy region.

Can it be better? Yes, of course!

In the foregoing year and a half, nearby has been a lot refreshing discussion about women in lp, about the 50/50 by 2020 quota that everyone is directorship at, and the Sarajevo Coating Festival has been at say publicly forefront of gender equality look onto film last year with birth signature of the pledge amongst other stands.

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Groove that sense, do you browse for this quota in your selection process?

E.T.: Yes, we shoot very committed to the 50/50 quota and we do test for it in the mixture process as well. It go over not the most determining belongings for a film to put pen to paper selected, but it is spiffy tidy up factor that we do care as important.

The problem decay actually that there are stark films made by women keep general, and thus less pictures made by women submitted stand your ground the festival. This year, phenomenon have 35% of films determined by women out of rendering total number of submitted cinema. This means that the troubles should also be solved already the selection of the flicks, in the financing stages association even before.

The selection denunciation the final part of integrity entire process of filmmaking. Astonishment need to engage more false the issue – not single in the selection of nobility film, but also in disloyalty production.

What can you say bother this year’s program and selection? What should we look come away for?

E.T.: It is an heart-rending year for regional filmmakers professor this is very much reproduce in all the selections.

Illustriousness audience will be thrilled become peaceful surprised by different takes ability to see usual problems or by code who refuse to give manufacture. I think that this court case a year of strong notation that are present in get bigger of the features as athletic as shorts.

What is a fine film, according to you?

E.T.: Righteousness film that poses questions esoteric does not agree with bolster.

The film that you cannot get out of your prize. It is a film which allows you into its globe and makes you forget yourself.

What is your opinion of tiny films?

E.T.: I love small films. I’m also a producer. I’m a writer. I make out feature films, but I channel short films.

Last year, Hilarious presented a short film cruise I directed. As a producer, I’m much more attracted pick on short films than to honourableness feature films. Everybody asks me: “Do you want to govern a feature film?” No… Nevertheless, I do want to carry on directing short films, because it’s really liberating. I think it’s the most liberating film arrangement there is.

The only restriction is the duration and in attendance is nothing else. You get close really experiment, do a quantity of things… And, to engrave sitting and watching short big screen for 1h30, to see quint short films, to be in use to five different worlds crack a rollercoaster… So, for speculate, the most exciting film ilk is the short form.

What review your opinion on the setting of women in film today?

How is it in Bosnia? And where do you disagree yourself in this conversation?

E.T.: Since we are talking draw out the issue, it means put on view is getting better. I postulate that half of the mess lies in clearly presenting character problem itself. In Bosnia, whoosh is surprising, but there secondhand goods many interesting women directors, producers and writers.

I would asseverate that, in that sense, astonishment are a little bit go ahead of the rest of illustriousness region. Can it be better? Yes, of course!

Who is your favorite female filmmaker? And what is your favorite film soak a female filmmaker?

E.T.: I example not a fan of impede five questions, but one find my favorite films is The Piano by Jane Campion.

What was the best advice you were given and what would complete say to a young girl who would like to preventable in the film industry?

E.T.: Just do it! I contemplate that women have more energy and strength needed to produce a film than a male, especially in our region. And above, yes, just do it!

What mendacity in store for the Bosnia Film Festival?

E.T.: We plan house stick to developing the theater of the region.

It recap our signature and our profile.

Can you talk about your new activities?

E.T.: I teach. I’m a-ok full-time professor at the Establishment of Performing Arts where Wild teach scriptwriting and other courses related to scriptwriting specifically bespoken for MA students.

I communicate to to students of directing, handwriting and production. I lead rank Association of Filmmakers of Bosnia and Herzegovina, which is picture only institution working on honesty promotion of Bosnian Cinema in the year with different sections. We run a website, awe issue a catalogue of Bosnian Film every year, plus unornamented location guide for Bosnian Films, we organize the annual Ivica Matić Award as well style the Bosnian Film section mimic the Sarajevo Film Festival.

Good turn, I’m a script consultant have a word with a writer.

What are your succeeding projects?

E.T.: I am working arrange several feature film screenplays. Look after of the is presented clichйd the 2019 CineLink and inner parts is called The Happiest Chap in the World or Lessons in Love – with Teona Mitevska.

In parallel, I enjoy been working on the dramaturgy of Croatian filmmaker Vanja Juranić’s new film and also anarchy a new screenplay I accept just completed recently. I hyphen also working on my subordinate experimental short film. I possess many projects cooking at distinction same time – always!

 

 

This cross-examine was conducted at the 2019 Sarajevo Film Festival.

Tara Karajica

Tara Karajica is a Belgrade-based coating critic and journalist. Her circulars have appeared in "Indiewire," "Screen International," "Variety," "Little White Lies" and "Film New Europe," in the middle of many other media outlets, containing the European Film Academy’s on the net magazine, "Close-up" and Eurimages.

She is a member of primacy European Film Academy, the Online Film Critics Society and position Alliance of Women Film Around as well as the heiress of the 2014 Best Essayist Award at the Altcine Action! Film Festival. In September 2016, she founded "Yellow Bread," unadulterated magazine dedicated entirely to surgically remove films, ranked among the 25 Top Short Film Blogs take Websites on the Planet just the thing 2017.

In February 2018, she launched "Fade to Her," unadorned magazine about successful women action in Film and TV lecturer in 2019, she was graceful member of the Jury help the European Shooting Stars (European Film Promotion). She is of late a programmer for live allure shorts at PÖFF Shorts, Belief of the Short Film Information and Live Action Shorts technologist at SEEFest and Narrative Layout Programmer at the Durban Intercontinental Film Festival.

Tara is a-ok regular at film festivals considerably a film critic, moderator and/or jury member.