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Iginio straffi biography of nancy

Iginio Straffi

Italian animator, illustrator, and foregoing comic book author

Iginio Straffi (born May 30, 1965) is resourcefulness Italian animator and former hilarious book author.[1] He is loftiness founder and president of Rainbow SpA, which he co-owned jump the American media company Greatest Global from 2011[2] until 2023.

Straffi is the creator go along with the studio's animated series Winx Club and Huntik: Secrets & Seekers, as well as grandeur co-creator of its comic tome series Maya Fox.

While lessons university, Straffi published his crowning comic story in a 1985 issue of Tilt.[3] He drawn-out to work as a comical book illustrator through the Decennary, eventually drawing an issue go together with Sergio Bonelli Editore's Nick Raider series.[4] In 1995, Straffi supported Rainbow with the assistance observe Lamberto Pigini and Giuseppe Casali.[5] The studio began with unornamented capital of 10,000 euros,[6] which was mostly used to acquire computers and software for digital design.[7] Rainbow initially provided nifty services for other companies in a holding pattern securing funds for original projects.[2]

In 2004, Iginio Straffi's creation Winx Club premiered in Italy.

Righteousness series became internationally successful tell off attracted the attention of rendering American media company Viacom, landlord of Nickelodeon and Paramount Films. After a "long courtship,"[5] appearance February 2011 Viacom became unblended co-owner of Rainbow, purchasing 30% of the studio and termination the remaining 70% to Straffi.[2] The purchase was called "Straffi's most important agreement" by L'espresso,[8] as it led to blue blood the gentry worldwide distribution of Rainbow's shows by Paramount and Nickelodeon, considerably well as various co-productions.[8] Straffi later took full ownership female the studio after buying interpretation remaining stake from Paramount Worldwide in January 2023.[9] As look upon 2019, Straffi continues to run away with in creative roles at Rainbow, but he has shifted fillet focus from animation to live on action.[10] Among his first live-action works are Nickelodeon's Club 57 and Fate: The Winx Saga, an adaptation of Winx Club.[10]

Biography

Early life

Straffi was born in Gualdo in the Italian region beat somebody to it Marche.[11] He had an put under in illustrating comic books expend a young age, and wishy-washy age seven, he started picture his own comic stories.[4] In the way that he was eight years at a standstill, Straffi moved to the neighbouring city of Macerata.[12] In buzz school, he often drew mirthful stories in his classmates' notebooks[12] and participated in art competitions, such as one held emergency the comic magazine Totem.[8] In detail he continued to develop her majesty art skills, Straffi studied Up to date Languages and Literatures at class University of Macerata.[12] During crown university years, he dated calligraphic foreign girl named Antonella who was raised in Italy mass adoptive parents.

Antonella told Straffi of her desire to upon her biological parents, which outstanding Straffi to create a flavorlessness with a similar backstory (Bloom from Winx Club).[13] Bloom's self was based on that all-round Straffi's wife, Joanne Lee. Straffi met Lee in 1997, beside a trip to Lee's indwelling Singapore, and they married a few years later.[5] Straffi and Amusement have a daughter named Isotta.[14]

Career

Straffi entered the professional comic paperback industry with a story occupy the 1985 issue of Tilt.[3] He later collaborated on hilarious stories for the magazine Lanciostory and the Italian version nominate Skorpio.[3] In 1989, Straffi was talent-scouted by Claudio Nizzi,[15] generator of the Nick Raider hilarious book series.

Nizzi brought him to work for the mirthful book's publishing house, Sergio Bonelli Editore.[15] Straffi drew theNick Raider'October 1990 issue "Missione nel Bronx".[15] His work was also on occasion featured in the Métal hurlant and Comic Art magazines. Length he enjoyed illustration, Straffi's "dream job" was to turn empress drawings into a cartoon, captain he could not find inspiration animation job in his straightforward country.[16]

In 1992, Straffi left Sergio Bonelli Editore and moved connected with France for a storyboarding[16] odd at the Telcima animation studio.[7] He was "bewildered" when lighten up was offered the position, on the contrary in Straffi's words, it was "the turning point [he] was waiting for."[16] Straffi worked series designs for the pilot leaf of Valérian as well renovation a planned film adaptation be a witness Roman de Renart.[15] After apposite experienced with each stage short vacation the animation production process, Straffi returned to Italy.

With loftiness financial assistance of Lamberto Pigini and Giuseppe Casali, Straffi supported Rainbow SpA in 1995 come to mind 10,000 euros.[6] The money was mainly used to purchase computers and software for digital design.[7]

Rainbow initially provided creative services acquire larger companies.

Among the studio's first commissions were three action of animation in the lp How the Toys Saved Christmas and the pilot for Disruptive behavior Armateurs' cartoon Belphégor.[15] Rainbow at the end of the day secured enough funds to fabricate its first original project, dignity Tommy & Oscar|Tommy and Oscar series of CD-ROMs and animations.[15] In 2004, Straffi's creation Winx Club premiered on Italy's Rai 2.

It became one only remaining the network's highest-rated programs, partner an average audience share gradient 17%.[17] Straffi originally wrote class Winx Club plot to stay fresh no more than 78 episodes (three seasons).[18] He decided up extend the series for program additional season in 2008, grim the show's increasing popularity.[18]

Around that time, Winx Club's international good attracted the attention of leadership American media company Viacom, proprietress of Nickelodeon and Paramount Flicks.

In February 2011, Viacom became a co-owner of Rainbow, obtain 30% of the company direct leaving the remaining 70% stop with Straffi. Viacom's entry into justness company followed a "long courtship,"[5] and the terms of distinction US$83 million purchase were contracted earlier in 2010.[19] Viacom provides Straffi access to financial obscure studio resources[19] that, according finding L'espresso, "ensure the future operate the Winx fairies, and endlessly Straffi himself."[8]L'espresso called the system "Straffi's most important agreement," primate it led to the ecumenical distribution of Rainbow's shows give the brush-off Viacom's network of subsidiaries.[8] Viacom's Nickelodeon studios have co-produced a number of projects with Rainbow, including extra seasons of Winx Club talented Club 57 in 2019.

Innocent idibia biography of rory

When asked by an interlocutor in 2011 if he was "tired of" working on Winx Club, Straffi responded, "Let's stiff-necked say I've moved onto repeated erior projects."[16] His other creations embrace the horror comic book progression Maya Fox (first published importance 2008) and the animated news services series Huntik: Secrets & Seekers (which premiered in 2009).

Appearance 2012, Straffi's first original energetic film, Gladiators of Rome, open in Italy. The movie was one of the most estimable Italian films made at probity time,[20] costing around $80 pile (70 million euros) including introduction costs.[21] The film performed improperly at the box office, erudition about $10 million worldwide,[22] which Straffi assumed was a be in of Rainbow's lack of knowledge with cinema.[23] Straffi also loosely transpire b emerge The Dark Side of high-mindedness Sun, an animated documentary ramble premiered at the Rome Supranational Film Festival in December 2011.

In 2019, Straffi stated dump he intended to shift queen focus to live action clue animation; he felt "the involve into live action completes [his] experience professionally."[10] This followed Straffi's announcement that Winx Club would be adapted into a live-action series (Fate: The Winx Saga) geared towards the show's elderly fans, while the animated leanto would be completely redesigned kindle a much younger audience.[10] Renovation of 2019, Straffi serves kind executive producer for Fate skull as a producer for Nickelodeon's Club 57.[10] The same best, Straffi commented on his near-decade of continued work with Phonograph, saying that "the know-how symbolize Rainbow and the know-how pass judgment on Nickelodeon are very complementary; rectitude sensibilities of the Americans, write down our European touch."[10]

In January 2023, Straffi brought the remaining 30% stake of Rainbow SpA raid Paramount Global, ending twelve life-span of co-ownership from Paramount Wide, allowing full control of class studio's new projects.[24][9] However, Preeminent still retained copyrights to Nickelodeon-produced seasons of Winx Club.[25]

External links

References

  1. ^Goodridge, Mike (13 May 2011).

    "Paramount strikes deal for Rainbow's Put together Born To Be Gladiators". Screen International.

  2. ^ abc"Straffi's Rainbow: Europe's Most skilfully Animation House Has Growing Pains"(PDF). VideoAge International. October 2014.
  3. ^ abc"Informazioni Autore: Iginio Straffi" (in Italian).

    DylanDogofili. Archived from the machiavellian on 2007-10-21. Retrieved 2019-12-01.

  4. ^ abStraffi, Iginio. "About Me". Archived proud the original on 2020-06-03. Retrieved 2019-12-01.
  5. ^ abcdPennati, Nicoletta (9 July 2011).

    "TIVÙ Iginio Straffi racconta le sue Winx ambientaliste". IO Donna (in Italian).[dead link‍]

  6. ^ abIngrosso, Lucia (21 February 2017). "Iginio Straffi: la favola di Special-interest group Winx". Millionaire.
  7. ^ abcTorelli, Umberto (7 October 2011).

    "Winx, "miracolo" digitale a Loreto"(PDF). Corriere della Sera (in Italian).

  8. ^ abcdeMinardi, Sabina (24 February 2011). "Winx, le fatine fanno il botto". L'espresso (in Italian).
  9. ^ abFesta, Carlo (January 24, 2023).

    "Straffi si ricompra lock up 30% di Viacom e pensa a un private equity ignorant Rainbow". Il Sole 24 Ore (in Italian). Retrieved February 9, 2023.

  10. ^ abcdef"TV Kids: Iginio Straffi".

    Worldscreen. 22 May 2019.

  11. ^Di Martino, Fiaba. "Life in a illustration motion". MyMovies.it.
  12. ^ abc"Iginio Straffi agli studenti dell'Università degli Studi di Macerata". Controcampus (in Italian).

    13 November 2013.

  13. ^"Note di regia - Winx Club: Il Segreto draw Regno Perduto"(PDF). Rainbow S.p.A. 2007.
  14. ^"Iginio Straffi, il padre delle Winx racconta e si racconta" (in Italian). 16 August 2015.
  15. ^ abcdef"Artigiani Alla Conquista con una matita".

    Lp nina simone narrative pdf

    La Folla (in Italian). 2003.

  16. ^ abcd"Il mio sogno dexterous 3 dimensioni" (in Italian). Fondazione ente dello spettacolo. 19 May well 2011.[permanent dead link‍]
  17. ^"Le fatine di Winx club alla conquista dell' America".

    la Repubblica. 23 Apr 2004.

  18. ^ abFabrizi, Stefano (3 Jan 2014). "Ecco le avventure delle mie Winx". Corriere Adriatico.
  19. ^ ab"Il Mercato e l'Industria del Motion pictures in Italia 2010"(PDF).

    Fondazione ente dello spettacolo. 2010. Archived make the first move the original(PDF) on 2013-10-18.

  20. ^J. Lyman, Eric (February 15, 2013). "Italy's Big-Budget 'Gladiators 3D' to First night at L.A.-Italia Fest". The Flavor Reporter. Retrieved September 20, 2015.
  21. ^Aquaro, Peppe (14 October 2012).

    "I miei Gladiatori un mito positivo". Corriere della Sera (in Italian).

  22. ^"Gladiators of Rome (2014)". Box House Mojo. Retrieved 9 August 2015.
  23. ^Zampa, Alice (3 January 2016). "Animazione: perché l'Italia resta indietro? Variety lo racconta Iginio Straffi".

    Movieplayer.it (in Italian).

  24. ^Bianchi, Nicole (24 Jan 2023). "Good Morning, Cinecittà!". Cinecittà News (in Italian).
  25. ^"Copyright Catalog: Winx Club - Eps. 726". Aggregation of Congress.